Monthly Archives: November 2011

Actor/Director Lab November 2011 Day 5

Photo by Robert Day

Taj Atwall – Actor Participant

“This week pushed my creative limits and exceeded all my expectations. Kristine’s intense, direct ‘hands-on’ approach and really breaking your work down and working every little detail is something I have rarely experienced. From day one she created an environment for us to relax and dispel any nerves. With people at all levels and stages of their career on the course I was apprehensive about what benefit I would gain from the course. Continue reading

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Actor/Director Lab 2011 – Kristine Landon-Smith

Photo by Robert Day

“I have been reading participant’s blogs and now want to share my own thoughts. I am so completely flattered by comments that have been posted and so struck by the generosity and curiosity and hunger from all the participants to learn. It’s a tough course but the participants are strong and really want to understand the rigour, the precision and the detail that is required to make an artistic and poetic piece of work. This goes for both actors and directors. Continue reading


Actor/Director Lab November 2011 Day 4

Photo by Anna Nguyen

Lauren Cooney – Actor Participant

“The penultimate day in my Actor/Director Lab experience began majestically with a late start for the actors, whilst the directors finalised their collaborative plans for out movement pieces. Adhering to the previous days work, in which we sequenced a piece with movement director Lawrence, honed and styled with characteristic precision by Kristine, this morning’s task saw us splitting into two groups (3 directors each) and choreographing our own. Continue reading


Actor/Director Lab November 2011 Day 3

Photo by Anna Nguyen

Jonathan Young – Director Participant

“We had a frank discussion about our theatre visit – interesting to hear different perspectives on the show at the Bush (The Kitchen Sink), which then broadened into reflections on largely how ‘white’ much of mainstream theatre inBritain still is. What was clear is how crucial the work of Tamasha is (and such events as this Lab are) at developing alternative models and practices that reflect the full richness of global narratives for today. Continue reading


Actor/Director Lab November 2011 Day 2

Photo by Anna Nguyen

Emma Faulkner – Director Participant

“The lab so far has been really intense and challenging but in a good way! Kristine’s approach is so vastly refreshing and different to many of the directors I’ve assisted, in focusing primarily on who the actor is rather than the character. From warm-ups to scenes, she uses a vocabulary that is active and is quick to dispense of words that directors commonly use which in reality are closed and unhelpful. Working on scenes with the actors has meant rethinking how I normally direct but I am learning lots and so far can’t recommend the Lab highly enough. By the end of Tuesday I felt excited, inspired and eager to learn more.” Continue reading


Actor/Director Lab November 2011 Day 1

Phoyo by Anna Nguyen

Annetta Laufer – Director Participant

“Day 1 and my head is already buzzing with ideas and thoughts of my own working process with actors.

I was stunned at how quickly Kristine transformed the actors’ “performed” speeches into moments of complete honesty after watching them for only a few minutes. She very quickly found the right improvisations that allowed them to be natural and incredibly beautiful. This very natural and relaxed state is something I have always wished from my performers but have somehow struggled to capture.

So, when Kristine stated that when an actor is bad, it is the director’s fault, I felt a moment of shame followed by utter jubilation because this meant that I could finally do something about it! I could learn to change my approach. A wonderful prospect!

I have not seen improvisations used in the way Kristine used them today and I am excited, moved and hopeful, despite my insecurities about my past improvisation skills with actors. Watching Kristine create pertinent improvisations for the actors, using their cultural backgrounds as well as switching between improvisation and text continuously, I could see how important it was to pick a scenario relevant to the actor’s emotional journey within the context of the play/text, as opposed to an arbitrary setting that creates random emotions. I am sure I knew this before, but somehow today was the first time I really understood this.

My next big “aha” moment was understanding Kristine’s process of finding the “person” within the actor, as opposed to the actor trying to find a “character”. This is a revelation and quite contrary to every thing I have ever done. But again, an exciting prospect, as it means that there is no reason to start from a blank canvas and then bombard with cerebral ideas. The actor has already so much they can add before you even begin.

But how do you activate it? Well, from what Kristine has taught me today – observation is the key. Listening is the key. Discover who the actors are as people, emotionally, culturally, physically and then build on that. Give the actors the space to explore and play. This takes skill and confidence from a director, I think. Something, I challenge myself to for this week. I cannot wait!”

Photo by Anna Nguyen

Anna Nyugen – ‘Buddy’ Director (Director Participant on April 2011 Lab)

“Day one. It was so nice to be surrounded by the buzz and excitement of new born TDA’s again, with teas and croissants to greet us (a Tamasha special). Everyone was so beautifully hand picked, a vast concoction of people from different backgrounds and cultures which makes for a very intriguing workshop. We started the day off introducing ourselves and explaining briefly why we wanted to be here. It seemed that everyone around the circle had either felt their backgrounds had been shunned, ignored or left outside the rehearsal room at one point during their artistic endeavours. They all had that same hungry look in their eyes to be understood and to be empowered by their identity as artists. While this practice is sensational, it holds no prisoners, cuts no corners and is as direct and impulsive as it can be. Just walking around the room and listening in on some work, it seems to me that language will be one of the main themes this week.”

Photo by Anna Nguyen

Antonio Harris – Director Participant

“The Actor/Director Lab so far has been fantastic. As a director, Kristine is teaching me to listen and look carefully at the actor or actors on stage. This laboratory has really been about the relationship between director and actor. Basically, cut out all the unnecessary nonsense, cut out the textbook words, cut out the generics and find a way to truly Talk to your actor. If you do this, or at least try (as I doubt I will be as quick as Kristine in a week, and trust me, she’s extremely quick), you will get some refined, sophisticated results.

The lab has been fun, constantly moving and engaging and I will be looking forward to the rest of it. I’m really understanding the skill behind directing and Kristine definitely makes the directors constant attention to detail worthwhile. The team of directors/actors is great, multicultural and there is some great talent which makes everything even more exciting.”


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