Anurita Heer, Participant Actor
The last few weeks have been very informative. This week was a great learning experience as I spent a lot of time simply observing other actors as they worked. A recurring theme this week was ‘why do we make certain decisions for a scene’ and how we can avoid making bad choices which ultimately restrict us as actors. One thing I have learnt over the last few weeks is subtlety. This is very important when creating artistic work as even slightly missing a beat or not timing your actions correctly can greatly affect the rest of the scene. Yet this requires the actor to be open and fully immerse themselves in the pleasure to play. In doing so, the actor intuitively starts to make the the right decisions and is able to play with fellow actors to bring a text or improvisation to life.
Sunnie Sidhu, Participant Actor
This is the second acting course I have been on with Tamasha, I obviously can’t get enough! I believe that they provide a safe place for you to make brave/strong choices and not be scared to fail, which is a different attitude to the one I experienced at Drama School. This ethos frees you up as an actor, makes you feel more open and maybe it provides a bit of reverse psychology, but I think I have done my best performances as a result. Kristine cares about the individual actor and refuses to give up on them when she knows they are capable of being amazing. Her infectious determination to get the best out of you and solve any niggling problems renews your confidence and passion as an actor. I wish there were more directors out there like her…there would definitely be a lot better actors as a result! I hope I can maintain what I have learnt from Tamasha and Kristine throughout my acting career. If I can I know I will always give an honest, engaging and interesting performance.
Ryan Blackburn, Participant Actor
The Tamasha masterclass has been a fantastic opportunity for me to ‘play’ as an actor. I’m now learning to play more and leave myself open! The warm up games make you aware of filling the space whilst leaving yourself open to receive from others. It’s interesting to observe my peers playing the games, as it allows you to see the actors seeking to play and open to receive. When working on our chosen piece I made character choices that stopped the scene progressing and having truth, I had already decided upon the relationship the two characters would have with each other rather than being in the moment and finding the truth, by taking the time to drop the text so the text doesn’t control me allowed me to be free and play with the scene, and Kristine’s approach when working with the actors really encourages this. She will set up the scene and encourage you to create the conditions, if the scene is going well you will use that as a reference point to go back to when it’s not. Kristine has a very honest and direct way of working, and what i have found to be interesting throughout this process is concentrating on getting rid of the ‘character’ stuff as it’s not the way to situate yourself in the play and focusing on the actor responding not the character. The classes have been a great opportunity for me to working in such a warm and encouraging environment, and as an only English speaking actor, it’s exciting to observe my peers perform in their own accents and languages, giving their chosen text depth and honesty. I feel more confident now in approaching the text and having fun with play in the scene rather than making unhelpful choices.