Kat Roberts – participant
“It is a very difficult thing to cultivate an atmosphere where strangers feel comfortable enough to not present a version of themselves, but to simply be and create. But that is what Ella Hickson achieves instantly and seemingly effortlessly on her two day Masterclass. I have written more, thought about writing more and considered myself more of a writer in the week following the course than I ever have before. How? How has she done this to me? Actually, in retrospect it’s quite simple. Ella Hickson searches for honesty in everything; in her themes, in her characters, in herself and by extension, in the people attending her Masterclass. She invites you to do a very simple thing: to be honest. What’s the thing inside you can’t let go of? But what is it really? Let’s interrogate this feeling. What’s the question of your play? Is that active? Will that work dramatically? No? then what will? I don’ know… let’s talk about it… not later… now. Let’s talk about it here and now so you can leave and get on with your play. Here’s some writing exercises – Do I use them? Not really. Let’s do one. You didn’t do what I said, you did something else. But what you came up with was just as interesting. Why did you cross out that line though? Because you felt you should? Let’s get away from ‘should’. That feeling that you can’t do it, that you’re not good enough, it doesn’t go away. “Find your hook, and let yourself off it”. Thanks Ella Hickson and my fellow participants.
Ayndrilla Singharay – participant
The two days I spent with Ella Hickson and my fellow participants have been an absolute inspiration. Being new to writing plays, this masterclass was a perfect balance between the technical craft of playwrighting and the other, more personal and creative side of writing for stage. Ella was an excellent teacher. She is extremely knowledgeable, friendly, honest about her own experiences and passionate about not only theatre but helping and nurturing fellow playwrights. This is a wonderful combination of traits and made the class a wonderfully safe space in which to explore our own writing. The time was divided between practical exercises, tips for creating time and space for writing and focusing on our own projects. The masterclass has left me feeling infinitely more equipped to take my play forwards. I really hope Ella does another class in the near future, as I would certainly love to attend.
Shazea Quraishi – participant
I was fortunate to get a place on Ella Hickson’s playwrighting masterclass for Tamasha. As well as being a talented playwright, Ella is a wonderful teacher: generous, insightful, supportive… and rigorous. As well as generating discussions and exercises to free inspiration, she provided us with a tool kit to interrogate a script, scene by scene, to whip it into shape and get at its truth. Much in the way the bad cop interrogates a suspect (good cop having stepped out for some air). Although it’s uncomfortable playing bad cop to your own script, it really works. I feel better equipped to write the play I want to. I also met a great group of people who I know I will keep in touch with.
Michael Lister – participant
I’m so glad I took the chance and made the effort to take part in the New Writing Masterclass. I learned exactly the lessons I was hoping to learn and gained the encouragement I needed, so that I have been motivated to embark on a new play writing project.
Ella Hickson introduced herself with an open friendliness that immediately brought the group together. She continued this sense of honest sincerity, making revelations from her own experience in a way that encouraged everyone to express their own hopes and fears, blocks and aspirations.
She lead the class through basic ideas of structure, shape and analysis that she encouraged us to apply to our own work while at the same time acknowledging that our creative drive will come from a less cerebral place. We worked with a sense of urgency and seemed to achieve way beyond my expectation in those two days. From a starting point of a basic analysis of dramatic action Ella took us to the point of writing the first scenes of our new plays; plays which we are all committed to writing in the coming weeks.
An indication of the success of our collective Masterclass experience was our aim to all meet again to discuss our creative progress; we have agreed to meet together in April to share our newly written scenes and check these against our understanding of dramatic action. I’m looking forward to continuing the discussion.
Ellen Carr – participant
The masterclass with Ella was a great blend of developing a tool kit for us to use whatever we’re working on and discovering the questions we really want to write about – accessing the inner part of yourself where all the good stuff is hidden. I hadn’t done anything like this before, and had never really been ‘taught’ to write. I found discussing the main building blocks of dramatic narrative extremely helpful, and although a lot of the work we did on dramatic action and interrogating our homework scenes made my brain hurt (in a good way!) I now feel I have the skills to keep writing even if I do get stuck with an idea.
What I found totally invaluable in the two day masterclass was working with a group of people for whom being a writer is an actual career – even if it isn’t their career right now. Discussing the craft of writing, the industry, the various head-banging-desk issues you will face in a totally serious way provides validation to the idea of being a writer as a job which is something you very much need when you’re starting out. I now feel much more confident about my writing ambitions and ready to just work really hard to achieve them. I’m aware of the different ways I need to develop as a writer, and that I will only do this by producing work. Ella made the writing process more enjoyable and open, getting rid of any thoughts of what we ‘should’ be doing in our process.
The group on the masterclass bonded really well, and Ella helped to create a very supportive environment. We have set ourselves a deadline to share drafts of our work with each other! I’d say the masterclass was both practically useful and inspirational in equal measure – just what was needed.
Zella Compton – participant
Play Masterclass: to book or not to book, that is the question.
The word masterclass is rather scary. It implies that you think you are a cut above the majority of aspiring playwrights, but what – when you get there – if you’re not? Or worse, if you are and everyone else is not. The application was a big decision for me as I struggle to know how good I am, and not only did I have to fund it myself, I also had to take time off work.
But thank goodness that I did apply, fund and go. For every part of Ella Hickson that is genius, there is a small murky part which is tyrant – and that was the most valuable to me. The questioning, the justification expected and the raw honesty with which she made me think about every little aspect of my writing process has really opened my eyes.
The two days were so valuable in terms of putting craft around what I do, getting inspired and meeting an awesome collective of other people. Well worth the time and effort and money. Thank you!